2020 Short Script Competition

Finalists Announced: Dec. 1st

Next Season Opens December 15th, 2020

2020 Results Announced:

December 1st - Finalists

December 10th - Winners

2021 Season Opens:

December 15th, 2020

Winner Receives:
$5,000 financing | script development | production assistance

The 3rd Annual Film Pipeline Short Script Competition provides an opportunity for writers and directors to get their material produced. Long-recognized by the industry as an avenue to scout unique, diverse voices, short-form content has become a vital calling card in attracting representation or seeing a proof-of-concept adapted into a feature. Film Pipeline eases the immense challenge of making a short by collaborating with selected entrants from development to production. Open to any genre, experimental or narrative, the contest supports imaginative storytellers in carrying their vision to screen.

After two decades of discovering new projects through screenwriting, TV writing, and pitch competitions, Pipeline Media Group (PMG) brings a dynamic, hands-on process of industry facilitation to Film Pipeline. This allows both emerging and seasoned filmmakers a shot at financing and producing their work, as well as spotlighting their talents to garner interest from execs capable of advancing careers.

"Film Pipeline somehow understood the idiosyncratic, hybrid tone of our script better than anyone. The fact that they could hear our partnership’s original voice on the page was very reinvigorating at a pivotal time on our creative path, and pushed us to stick to our guns rather than pander to more 'accessible' sensibilities."
- Spencer Mandel & Dikega Hadnot, Film Pipeline Winners (Little Brother)

Winner and runner-up awarded:

  • $5,000 film financing to winner; $1,000 split between runners-up
  • Script development and notes from Film Pipeline's executive team
  • Industry exposure to specific partners for production support
  • Additional reviews of other film and TV scripts, with circulation consideration
  • Potential financing for future short scripts
  • Invitations to annual writer and industry events hosted by Pipeline Media Group


Launched in 2018, Film Pipeline searches for extraordinary directors, produced shorts, unproduced scripts, and other content from a growing field of talent worldwide. Filmmakers and writers discovered through ongoing annual competitions receive circulation assistance to agencies, managers, and executives on the lookout for the next wave of artists, with a sharp emphasis on inclusive storytelling and stylistic originality. Unlike a traditional festival, the company champions individual writers and directors, playing a central role in getting projects produced and distributed over the long-term.

Film Pipeline joins Script Pipeline (est. 1999) and Book Pipeline (est. 2014) as part of PMG’s suite of platforms connecting creatives with the film and TV industry. Across all three submission outlets, numerous writers and directors have produced their work, sold screenplays and pilots, set up projects at studios, and found representation due to the guidance of PMG’s development staff.

Grand Prize Winner - announced December 10th, 2020

  • $5,000
  • Pre-production support to get the film produced (varies by project)

Runners-up (2) - announced December 10th, 2020

  • $1,000 total ($500 to each runner-up)

Finalists (up to 5) - announced December 1st, 2020

The Grand Prize Winner, Runner-up, and Finalists all receive the following:

  • Script development with Film Pipeline execs
  • Additional reviews of other film and TV scripts, with circulation consideration
  • Industry circulation to select producers or financiers (varies by project)
  • Potential financing for future short scripts
  • Invitations to annual writer and industry events hosted by Pipeline Media Group


- Any genre accepted, including non-narrative or experimental shorts, proof-of concepts, and teasers.

- We don’t have any requirements, and all script lengths are accepted, but the submission must be intended as a short film or digital series pilot. Anything from one to (roughly) 50 pages for short films, and 30 pages max for pilots. Feature-length scripts and longer "traditional" TV pilots may be entered in any open Script Pipeline competition.

- Script must be unproduced at the time of entry. Produced films are allowed only in the Short Film Competition. If the film is produced any time after entry into the competition, it will still be eligible for awards.

- Only completed scripts are allowed. No pitches.

- If submitting a proof-of-concept script, supplemental info on the project, such as the synopsis for a feature, is more than welcome. We'll review a full package or proposal in addition to the short script.


  • Cover page should include the title only. Remove any contact information (name, email address, etc.) on the script. Logline and genre on the title page is preferred, but not required. If contact info is left on the script, we'll adjust the file accordingly (errors on the cover page will not result in disqualification).
  • Co-writers allowed. Only one writer needs to register.
  • Any file format. PDF should be standard, however.
  • No limit on the number of entries. Each entry is a separate fee.
  • Simultaneous submissions are of course allowed (i.e. you can enter other contests with the same script).
  • All rights to the material remain with the entrant, whether they place as a finalist or not.
  • Electronic submissions only. No mailed entries.

View complete rules and guidelines


Pipeline Media has cultivated relationships with over 200 production companies, managers, agents, directors, independent producers, networks, and other executives over the past two decades, leading to more success stories annually than any other competition.

Some of the industry reviewing material include:

What are the deadline dates?

The 2020 season is now closed for entry. Next season opens December 15th.

Does this contest accept international entries?

Absolutely. Writers worldwide are welcome to participate in this and any Film Pipeline, Script Pipeline, or Book Pipeline competition.

What are the page length requirements?

We don’t have any requirements, and all script lengths are accepted but the submission must be intended as a short film. Anything from one to (roughly) 50 pages.

If my short script is already produced, can I submit?

The contest only accepts short scripts that have not been produced at the time of entry. Anything that has already been produced in any capacity would not qualify. However, scripts produced after the date of entry are still eligible for awards and may remain in competition.

How do I submit my short script?

You can upload your script direct to the site during registration or email the materials after registering.

What kinds of short scripts do you accept?

Any genre is accepted, including stories based on true events and experimental work. We’re looking primarily for great storytelling and diverse, fresh concepts.

Can I submit additional materials with the script?

Yes, we would encourage writers to include supplemental materials (such as a synopsis, an outline for a feature version, etc.) along with their short script. You can email those materials direct to our coordinator. There’s no formatting requirement for supplemental materials, but we’d prefer they be sent as a PDF.

Do I get feedback on my entry?

Feedback for the Film Pipeline competitions is kept internal. However, for script notes, writers may request a notes service via Script Pipeline.

By submitting, do I give up the rights to my work?

All rights remain with the entrant, regardless of the final contest results. For circulation, scripts aren’t sent to anyone outside of Film Pipeline without the writer’s consent.

Can I update my script after entering?

Yes, we’ll accept updated drafts any time, at no extra fee. We would need to receive the script by the contest’s final deadline.

Contact our contest coordinator with any other questions.

Success stories from Pipeline's screenwriter and filmmaker contest winners. . . .

Finalist Sells Spec to Legendary in Seven-Figure Deal

Crosby Selander's Bring Me Back sold to Legendary Entertainment in September 2020 after a bidding war. The deal landed in the seven figures, making it one of the highest spec sales in years---and one of the few specs ever sold for over $1 million from a "new," unproduced writer.

After placing in the top 10 of the 2020 Screenwriting season, Bring Me Back was circulated to several Pipeline industry partners, with Kaplan/Perrone signing Crosby a few weeks later.

Pipeline judges called the script a "wonderfully sprawling genre hybrid. . . expertly drawn by a writer with a profound understanding of the human condition."

Tripper Clancy Sells Specs to Fox, Writing for Netflix and Quibi Series

Contest winner Tripper Clancy signed with a Script Pipeline partner in 2011 before selling several specs.

A few months after the screenwriting competition ended, 20th Century Fox selected Tripper for their feature comedy writing team to help develop new material. Later, he was hired to write the animated feature Shedd for Paramount, Stranded for Sony, the Amazon film High Five, the comedy Hacker Camp for Hasbro, and an adaptation of The Art of Fielding for Mandalay / IMG. He sold two specs in that span: The Ambassadors and Winter Break.

Tripper's first produced studio feature, Stuber (2019) sold in the mid-six figures. The action-comedy stars Dave Bautista (Guardians of the Galaxy), Kumail Nanjiani (The Big Sick, Silicon Valley), Mira Sorvino, and Betty Gilpin (Glow). Following the release of Stuber, he was brought on to write the Varsity Blues reboot and joined the staff of the Netflix series I am Not Okay With This, starring Sophia Lillis (It).

He's the co-creator, writer, and co-producer as well of the Quibi series Die Hart, starring Kevin Hart, Nathalie Emmanuel (Game of Thrones), and John Travolta.

Fox Buys Show from Script Pipeline Contest Runner-up

Runner-up in the Script Pipeline TV Writing Competition, Laura Bensick sold her show Everyday Insanity to Fox. Ken Olin (This is Us) and Sterling K. Brown producing. The drama series addresses mental illness within three different families who come together to form one supportive group.

Laura placed with the hourlong drama The Mother in the 2016 Script Pipeline season, besting over 2,500 other pilots. Bensick’s autobiographical play Life in Paradox, premiered in Los Angeles in 2019.

Everyday Insanity is Laura’s first TV show sale.

One of the Biggest Spec Sales in History from Script Pipeline Winner

SWATHposter2016After introductions by Script Pipeline to management, Evan Daugherty sold Snow White & the Huntsman to Universal for $3.25 million. It marked one of the biggest studio spec sales of all-time and subsequently turned Evan into one of the most in-demand writers in Hollywood. The film has grossed $450 million worldwide.

Shortly following the contest win, Evan landed an assignment with Warner Bros. to rewrite the adaptation of He-Man, which led to the sale of Snow White.

Amongst selling a pilot pitch, Evan wrote the Teenage Mutant Ninja Turtles reboot, produced by Michael Bay. Other studio projects: the adaptation of YA novel Divergent for Summit Entertainment, starring Shailene Woodley and Academy Award-winner Kate Winslet, the Tomb Raider reboot starring Alicia Vikander, and Rose Red, based on an original script by Justin Merz and a pitch by Evan, which is in development with Vinson Films and Disney.

In 2020, he began development with Sony on a reimagining of the cult hit Anaconda.

Script Pipeline Winner an Acclaimed Indie Hit

Henry Dunham's The Standoff at Sparrow Creek was produced with an ensemble cast featuring James Badge Dale (Rubicon), Brian Geraghty (The Hurt Locker), Happy Anderson (Mindhunter), Robert Armayo (Game of Thrones), and Gene Jones (The Hateful Eight). Dallas Sonnier, Jonathan Brownlee, and Amanda Presmyk served as producers.

The film premiered at the Toronto International Film Festival, where it was acquired by RLJ Entertainment.

The project, originally titled Militia, won the 2015 Script Pipeline Screenwriting Competition before being picked up. Writer Henry Dunham was connected with representation less than a month after contest results were announced, signing with Pipeline industry partner Lit Entertainment and UTA.

Top critics from The Hollywood ReporterSlashFilm, and others praised Henry's directorial debut, and Rolling Stone selected Standoff as one of the top 10 films to see in 2019.

Robert De Niro Stars in Script Pipeline Contest-Winning Screenplay

The Script Pipeline contest-winning screenplay Shrapnel by Evan Daugherty was turned into the film Killing Season, starring Robert De Niro and John Travolta. Corsan and Millennium Films helmed the action/thriller and rehashed the original plot during development.

It was the first Script Pipeline winner to get produced.

TV Contest Runner-up Staffed on Netflix, BET, and CBS Shows

Howard Jordan (Family Be Like), runner-up in the TV Writing Competition, signed with Verve and Lit Entertainment. He went on to write for the CBS sitcom Superior Donuts in 2018, with his first solo-written episode premiering that year, followed by the CBS comedy The Unicorn, starring Walton Goggins (Justified).

Afterward, he wrote on Netflix's Family Reunion, where he won a WGA Award for the episode "Remember Black Elvis?", then joined the staff of the BET show Bigger in 2020.

Over the course of 20 years, many other writers have optioned their work, found paid writing jobs, produced their films, and garnered management or agency representation through Pipeline Media Group's exhaustive process of industry facilitation.

View More Pipeline Success Stories


2020 Short Script Competition

2021 season opens mid-December.